Books
Black Lives in the English Archives 1500-1677: Imprints of the Invisible. Burlington, VT: Ashgate Publishing co., 2007.
Shakespeare and Race: Postcolonial Praxis in the Early Modern Period Lanham, MD: University Press of America, 2000.
Shakespeare's Pluralistic Concepts of Character: A Study in Dramatic Anamorphism. Selinsgrove, PA: Susquehanna UP, 1993.
Tennessee Williams: A Descriptive Bibliography. Dhaka: University Press Ltd., 1986.
Articles
"Racial Impersonation on the Elizabethan Stage: The Case of Shakespeare Playing Aaron." Medieval and Renaissance Drama in England, 2007.
"East Indians in Early Modern England as 'The First Fruits of India': Colonial Effacement and Postcolonial Re-inscription." Journal of Narrative Theory, 36.1 (2006): 1-13.
"Shakespeare's Spectral Turks: The Postcolonial Poetics of a Mimetic Narrative." Shakespeare Yearbook.14 (2004): 237-70.
"Elizabethan Racial Medical Psychology, Popular Drama, and the Social Programming of the Late-Tudor Black: Sketching An Exploratory Postcolonial Hypothesis." In Stephanie Moss and Kaara Peterson ed. Shakespeare and Medicine. VT: Ashgate Publishing co., 2004. 93-112.
"Demotic Desire and Female Subjectivity in David Mamet: The Split Space of the Women of Edmond." In Leslie Kane and Chris Hudgins ed. Gender and Genre in David Mamet. N.Y.: St. Martin?s Press, 2001.
" 'Hell's Perfect Character' or The Blackamoor Maid in Early Modern English Drama: The Postcolonial Cultural History of a Dramatic Type." Literature Interpretation Theory 11 (2000):277-304
"Sir Peter Negro, Othello and the Lost Blacks of Elizabethan England: Colonial Inscription and Postcolonial Excavation." Literature Interpretation Theory 9.1 (1998): 15-30
"Reading Black Women Characters in English Renaissance Literature." Renaissance Papers 1996. 67-80.
"Interrogating Cultures: Hybridity as Third Space in V.S. Naipaul's A House for Mr. Biswas, R.K. Narayan's The Guide, and Salman Rushdie's Midnight's Children." Studies in the Humanities 23.1 (1996): 28-52.
"'Never Doubt I Love': Misreading Hamlet." College Literature 21.2 (1994): 19-32.
"'I Am Not What I Am:' Reflexivity in the Shakespearean Soliloquy." Halcyon 16 (1994): 205-22.
"'Which is the Merchant here and which the Jew?' Alternating Characterization in The Merchant of Venice." Dhaka University Studies (Bangladesh) Part A 46.1 (1989): 17-34.
"The Use of the Family in Eugene O'Neill's Long Day's Journey Into Night and in Arthur Miller's Death of a Salesman." Bangladesh Journal of American Studies 1 (1987): 65-77.
"Structural and Thematic Aspects of Eugene O'Neill's Mourning Becomes Electra." Harvest (Bangladesh) 8 (!986-87): 1-23.
"Elizabethan Pictorial Anamorphism and Shakespeare's Pluralistic Concepts of Character: Some Parallels and A Possible Methodology for A Comprehensive Study." Collected Essays Center for Advanced Research in the Humanities Dhaka University (Bangladesh) Part Two. June 1986. 1-29.
"The Shattered Rainbow: An Essay on Tennessee Williams' The Glass Menagerie." Form: A Magazine of the Arts (Bangladesh) 4 (1986): 38-54.
"Superior Man and the Question of Responsibility: A Reading of Paradise Lost." Dhaka University Studies (Bangladesh) Part A 42.1 (1985): 60-71.
"G. Wilson Knight's Shakespeare Criticism: An Estimate." Dhaka University Studies (Bangladesh) Part A 42.2 (1985): 30-53.
"Some Old Problems in Shakespeare: An Exercise in Defining Dramatic Method." Dhaka University Studies (Bangladesh) Part A 27 (1977): 90-119.
